Harvard Classics Journey • Volume 7 of 51
The Inward Turn
St. Augustine and Thomas à Kempis
Opening
For several weeks we have been moving through philosophy, poetry, and the dignity of common life.
This week the conversation turns inward with unusual intensity.
St. Augustine and Thomas à Kempis are not trying to explain the state, defend free inquiry, or celebrate ordinary life. They are asking what it means to confront the soul honestly.
So this is less public and more personal.
More personal, but also more severe.
And more vulnerable.
Yes.
Augustine gives us confession. Thomas à Kempis gives us discipline. One writes with emotional intensity about memory, desire, and conversion. The other writes with quiet insistence about humility, self mastery, and the imitation of Christ.
This sounds less like argument and more like spiritual inventory.
That is a good way to put it.
This week asks a difficult question.
What happens when a person stops explaining the world and starts examining the heart.
Augustine and the Drama of Confession
Augustine felt intensely modern to me.
Even though he is writing from a completely different world.
That is one of the remarkable things about him.
Augustine writes as though inner life matters enormously. Memory, desire, guilt, longing, vanity, ambition. He treats the self as a real landscape to be explored.
And not flatteringly.
No.
Augustine is not interested in presenting himself as admirable. He is interested in truthfulness. The Confessions are powerful because they refuse self protection.
He is always interrogating his own motives.
Exactly.
He asks not only what he did, but why he wanted what he wanted.
That made him feel very alive.
He is not just recounting events. He is trying to understand himself before God.
Yes.
For Augustine, confession is not self expression in the modern sense. It is an attempt to strip away illusion.
Restlessness and Desire
The line everyone knows is still the best one.
Our hearts are restless until they rest in thee.
Yes. That one.
It is powerful because it explains so much of the book.
Augustine believes that human beings are creatures of desire, but that desire often attaches itself to inadequate things. Pleasure, ambition, praise, status, sensuality, cleverness. None of them are enough.
So the problem is not that desire exists. It is that it keeps settling for lesser objects.
Well put.
Augustine does not imagine the soul as cold or purely rational. He imagines it as hungry.
That feels true.
And dangerous.
Both.
His claim is that restlessness is a clue. It reveals that the soul is reaching for something greater than the world can finally provide.
Which makes the book sad, but also hopeful.
Yes.
The sadness comes from misdirected desire. The hope comes from the possibility of reordering it.
Thomas à Kempis and the Discipline of Humility
Thomas à Kempis feels very different from Augustine.
Less dramatic.
But maybe more demanding.
That is right.
The Imitation of Christ is not a dramatic autobiography. It is a manual of inward discipline. Thomas à Kempis speaks in short, direct instructions. Be humble. Resist vanity. Distrust worldly praise. Learn to be small.
That last part is hard for modern people.
Especially modern ambitious people.
Thomas sees pride as a constant spiritual danger. He believes that the soul becomes quieter and stronger when it stops craving recognition.
There is something peaceful in that, even if it sounds severe.
Yes.
Thomas is trying to free the soul from noise. Not only public noise, but inward noise. Self importance, resentment, comparison, vanity.
So Augustine reveals the chaos. Thomas prescribes the discipline.
Exactly.
One is a drama of inward discovery. The other is a rule of inward order.
Interior Life and the Modern Reader
I can see why these books mattered for centuries, but I also wonder what a modern reader is supposed to do with them.
Especially if the reader is not religious.
A fair question.
Even apart from doctrine, these writers understand something essential. Human beings are not transparent to themselves. We are divided, restless, self deceiving, and often governed by desires we barely understand.
That part feels timeless.
Very much so.
Augustine and Thomas both insist that inward life requires labor. Clarity does not arrive automatically. Peace does not arrive automatically. Attention must be trained.
That actually connects them to the Stoics.
It does.
But the difference is important. The Stoics aim at rational self command. Augustine and Thomas aim at spiritual reorientation and humility before something higher than the self.
So the self is not sovereign here.
Not at all.
In this tradition, the self becomes healthiest when it stops trying to be its own god.
Pulling the Threads Together
Let us step back.
What do Augustine and Thomas à Kempis teach together?
That inner life has to be faced honestly.
That desire can mislead us.
That humility may be more important than self assertion.
Good.
And how do they differ?
Augustine sounds like a man wrestling with memory and passion.
Thomas sounds like a guide trying to steady the soul.
One confesses. The other instructs.
Exactly.
Together they create a powerful spiritual psychology. Augustine shows us the drama of the restless self. Thomas shows us the discipline that might quiet it.
Which makes this week feel intense in a very different way from Milton.
Yes.
Milton gives us cosmic rebellion. Augustine and Thomas bring the rebellion inward.
Into the heart.
Precisely.
Questions to Carry Forward
- Why does Augustine treat confession as a path to truth rather than simply a record of guilt?
- What does Augustine mean by saying the heart is restless?
- Why does Thomas à Kempis place so much emphasis on humility?
- How do Augustine and Thomas differ from the Stoics in their approach to self discipline?
- What parts of this inward spiritual tradition still speak powerfully to modern readers?